Lasse Hallstrom is a perfect director pick for this adaptation of the novel by Nicholas Sparks, the John Grisham of romantic drama. Herein, Channing Tatum earns a chance to flex his dramatic abdominals, Amanda Seyfried wipes away her tears for what will be her weepy year (get ready for her Letters to Juliet in May), and Richard Jenkins lines up a potential second Oscar nomination for his part as supportive parent.

James Cameron's response to upping the world of visual effects? He takes a new approach to 3D -- all the way down to creating his own cameras -- and augments the natural world by introducing new plant life and creatures to the aforementioned band of humans. It's the kind of anticipation that even makes President Roslin swoon. Meanwhile, Sam Worthington quietly has become new face of sci-fi. That makes us swoon.

"From the director of Taken" sure is an exciting phrase, but somehow this looks worse than the clanging, repellant, and underperforming Taking of Pelham 1 2 3: agree or disagree?

This movie radiates tension in and out! Packaged by super-producer Graham King (The Departed) right before the Screen Actor's Guild strike in 2008, Edge had trouble finding a studio, which was attributed, of course, to Mel Gibson being blacklisted by Hollywood. Not so! Said King. And then Robert De Niro backed out of the co-starring role right as filming began. To me, this is all merely early publicity for a project that doesn't fully engage me otherwise. In truth, De Niro being replaced by Ray Winstone drew my attention back to the film, and I'm primed to see how another terrific actor, Danny Huston, fits into the plot, which promises to twist until the end thanks to William Monahan, Graham King's Oscar-winning screenwriter from The Departed.

The most excited we can get for this movie is realizing that Julie Andrews and Stephen Merchant co-star in it.